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 ARTIST BIOGRAPHIES 


  • Charles Alston
  • Beato Angelico
  • Jean (Hans) Arp
  • Hendrik Avercamp
  • Leon Bakst
  • Edward M. Bannister
  • Jean Frederic Bazille
  • Romare Bearden
  • Cecilia Beaux
  • Max Beckmann
  • George Bellows
  • Frank Weston Benson
  • Thomas Hart Benton
  • Abraham van Beyeren
  • Albert Bierstadt
  • George Caleb Bingham
  • William Blake
  • Umberto Boccioni
  • Giotto di Bondone
  • Pierre Bonnard
  • Allesandro Botticelli
  • Francois Boucher
  • Eugene-Louis Boudin
  • Adolphe William Bouguereau
  • Will H. Bradley
  • Georges Braque
  • Victor Brauner
  • Alfred Thompson Bricher
  • Agnolo Bronzino
  • Adriaen Brouwer
  • Pieter Brueghel the Elder
  • Bernard Buffet
  • Michelangelo Buonarotti
  • Alexander Calder
  • Canaletto
  • Caravaggio
  • Antoine Caron
  • William L. Carqueville
  • Mary Cassatt
  • Paul Cezanne
  • Marc Chagall
  • Thomas Chambers
  • JBS Chardin
  • William Merritt Chase
  • Jules Cheret
  • Judy Chicago
  • Giorgio de Chirico
  • Jean Clouet
  • Anna Cochran
  • Thomas Cole
  • John Constable
  • Lovis Corinth
  • Paul Cornoyer
  • Jean-Baptiste Camille Corot
  • Gustave Courbet
  • Lucas Cranach (the Elder)
  • Allan Crite
  • Currier and Ives
  • Aelbert Cuyp
  • Salvador Dali
  • Honore Daumier
  • Jacques-Louis David
  • Stuart Davis
  • Edgar Degas
  • Eugene Delacroix
  • Paul Delaroche
  • Paul Delvaux
  • Charles Demuth
  • Andre Derain
  • Thomas Doughty
  • Marcel Duchamp
  • Raoul Dufy
  • Albrecht Durer
  • Sir Anthony van Dyck
  • Thomas Eakins
  • Louis Eilshemius
  • El Greco
  • James Ensor
  • Max Ernst
  • Philip Evergood
  • Henri Fantin-Latour
  • Lyonel Feininger
  • Tsuguharu Foujita
  • Annette Fournet
  • Jean-Honore Fragonard
  • Helen Frankenthaler
  • Caspar David Friedrich
  • Frederick Carl Frieseke
  • Othon Friesz
  • John Henry Fuseli
  • Thomas Gainsborough
  • Henry Gasser
  • Paul Gauguin
  • Orazio Gentileschi
  • Theodore Gericault
  • Domenico Ghirlandaio
  • Alberto Giacometti
  • Giorgio Giorgione
  • William Glackens
  • Vincent van Gogh
  • Arshile Gorky
  • Adolph Gottlieb
  • Fernand Gottlob
  • Francisco Jose de Goya
  • Juan Gris
  • Matthias Grunewald
  • Constantin Guys
  • Frans Hals
  • H.W. Hansen
  • William Michael Harnett
  • Marsden Hartley
  • Childe Hassam
  • George Hayes
  • Edward Lamson Henry
  • Edward Hicks
  • Nicholas Hilliard
  • Meindert Hobbema
  • Hans Hofmann
  • William Hogarth
  • Sakai Hoitsu
  • Hans (the younger) Holbein
  • Geoffrey Holder
  • Winslow Homer
  • Pieter de Hooch
  • Edward Hopper
  • Emperor Hui-tsung
  • William Holman Hunt
  • Jan van Huysum
  • Robert Indiana
  • Ingres
  • George Inness
  • Pierre Ino
  • Alexej von Jawlensky
  • Jasper Johns
  • Frank Tenney Johnson
  • William H. Johnson
  • Frida Kahlo
  • Wassily Kandinsky
  • Ernst Ludwig Kirchner
  • Moise Kisling
  • Torii Kiyonaga
  • Paul Klee
  • Gustav Klimt
  • Oskar Kokoschka
  • Koryusai Koryusai
  • Walt Kuhn
  • Yasuo Kuniyoshi
  • Kawanabe Kyosai
  • Fitz Hugh Lane
  • Marie Laurencin
  • Jacob Lawrence
  • Sir Thomas Lawrence
  • Hughie Lee-Smith
  • Fernand Leger
  • William Robinson Leigh
  • Judith Leyster
  • Li Tang
  • Roy Lichtenstein
  • Max Liebermann
  • Richard Lindner
  • Fra Fillipo Lippi
  • Claude Lorrain
  • Morris Louis
  • Bernardino Luini
  • Auguste Macke
  • Nicolaes Maes
  • Rene Magritte
  • Aristide Maillol
  • Edouard Manet
  • Franz Marc
  • Marino Marini
  • Albert Marquet
  • Henri-Jean Guillaume Martin
  • Masaccio
  • Henri Matisse
  • Jean-Francois Millet
  • Joan Miro
  • Amedeo Modigliani
  • Piet Mondrian
  • Claude Monet
  • Henry Moore
  • Martha Moore
  • Gustave Moreau
  • Berthe Morisot
  • Ira Moskowitz
  • Robert Motherwell
  • Archibald John Jr Motley
  • Alphonse Marie Mucha
  • Edvard Munch
  • georgia O'Keeffe
  • Pablo Picasso
  • Camille Pissarro
  • Jackson Pollock
  • Nicolas Poussin
  • Robert Rauschenberg
  • Pierre-Joseph Redoute
  • Frederic Remington
  • Pierre-Auguste Renoir
  • Sir Joshua Reynolds
  • Rembrant van Rijin
  • Diego Rivera
  • Dante Gabriel Rossetti
  • Georges Rouault
  • Peter Paul Rubens
  • Raphael (Raffaelo) Sanzio
  • Georges Seurat
  • Alfred Sisley
  • Theophile Alexandre Steinlen
  • Rufino Tamayo
  • Yves Tanguy
  • Giovanni Domenica Tiepolo
  • Jacopo Robusti Tintoretto
  • Henri Toulouse-Lautrec
  • Joseph Mallord William Turner
  • Paolo Ucello
  • Diego Velazquez
  • Johannes Jan Vermeer
  • Leonardo da Vinci
  • Maurice de Vlaminck
  • Edouard Vuillard
  • Jean-Antoine Watteau
  • James Abbott Macneill Whistler
  • Walter Williams
  • Grant Wood
  • Hale Woodruff
  • Richard C Woodville
  • Andrew Wyeth
  • Newell Convers Wyeth
  • Taikan Yokoyama






  •   Paul  Delvaux 


    Birth Year : 1897
    Death Year :
    Country : Belgium

    Paul Delvaux was born in Antheit, Belgium, and attended the Brussels Art Academy. After graduation his work was entirely cut off from modern art, which Delvaux considered a hoax, and remained a blend of Neo-Impressionism and Expressionism until 1936 when he encountered the work of the Surrealist painters Giorgio de Chirico and Salvadore Dali in the private collections of some friends. Later, and although, at first, the works of Magritte disconcerted him, it was this artist who would influence Delvaux the most. The effect of this confrontation was revolutionary in Delvaux's art; the manner for which he is known was born virtually whole in 1936 and has changed very little over the years. From that time on his aim was no longer to faithfully interpret the outer exterior world but to explore the intimate and secret domain of his inner life.

    Delvaux visited Italy and studied the painters of the Quattrocento; their linear perspective, architecture and women of ideal proportion. The general style of his work seems to be drawn from early Renaissance studies of perspective. Delvaux pays meticulous attention to detail, and uses perspective to suggest a distancing from reality into the mind's vision. Delvaux concentrates on Woman, making Her, as many Surrealist poets have, the center of his world. His women are usually shown in a sexual context that is wistful and passive. They sit silently and wait endlessly; they are never in dialogue with men, who enter their world only as old men, doctors, professors (frequently examining their bodies with magnifying glasses) or effete boys. Delvaux's women are drawn in a style resembling an antique Hellenism and they all bear a family resemblance to each other. Sometimes the male principle is suppressed in a literal sense only to emerge symbolically, as for example, in his images of trains. His women move with enigmatic purpose, carriers of a mood of expectancy who make communication with the realm of the Surreal possible. Delvaux's dream world is meticulously rendered and filled with a nostalgic sadness that transforms even his erotic paintings into something elusive and unreal.

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