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 ARTIST BIOGRAPHIES 


  • Charles Alston
  • Beato Angelico
  • Jean (Hans) Arp
  • Hendrik Avercamp
  • Leon Bakst
  • Edward M. Bannister
  • Jean Frederic Bazille
  • Romare Bearden
  • Cecilia Beaux
  • Max Beckmann
  • George Bellows
  • Frank Weston Benson
  • Thomas Hart Benton
  • Abraham van Beyeren
  • Albert Bierstadt
  • George Caleb Bingham
  • William Blake
  • Umberto Boccioni
  • Giotto di Bondone
  • Pierre Bonnard
  • Allesandro Botticelli
  • Francois Boucher
  • Eugene-Louis Boudin
  • Adolphe William Bouguereau
  • Will H. Bradley
  • Georges Braque
  • Victor Brauner
  • Alfred Thompson Bricher
  • Agnolo Bronzino
  • Adriaen Brouwer
  • Pieter Brueghel the Elder
  • Bernard Buffet
  • Michelangelo Buonarotti
  • Alexander Calder
  • Canaletto
  • Caravaggio
  • Antoine Caron
  • William L. Carqueville
  • Mary Cassatt
  • Paul Cezanne
  • Marc Chagall
  • Thomas Chambers
  • JBS Chardin
  • William Merritt Chase
  • Jules Cheret
  • Judy Chicago
  • Giorgio de Chirico
  • Jean Clouet
  • Anna Cochran
  • Thomas Cole
  • John Constable
  • Lovis Corinth
  • Paul Cornoyer
  • Jean-Baptiste Camille Corot
  • Gustave Courbet
  • Lucas Cranach (the Elder)
  • Allan Crite
  • Currier and Ives
  • Aelbert Cuyp
  • Salvador Dali
  • Honore Daumier
  • Jacques-Louis David
  • Stuart Davis
  • Edgar Degas
  • Eugene Delacroix
  • Paul Delaroche
  • Paul Delvaux
  • Charles Demuth
  • Andre Derain
  • Thomas Doughty
  • Marcel Duchamp
  • Raoul Dufy
  • Albrecht Durer
  • Sir Anthony van Dyck
  • Thomas Eakins
  • Louis Eilshemius
  • El Greco
  • James Ensor
  • Max Ernst
  • Philip Evergood
  • Henri Fantin-Latour
  • Lyonel Feininger
  • Tsuguharu Foujita
  • Annette Fournet
  • Jean-Honore Fragonard
  • Helen Frankenthaler
  • Caspar David Friedrich
  • Frederick Carl Frieseke
  • Othon Friesz
  • John Henry Fuseli
  • Thomas Gainsborough
  • Henry Gasser
  • Paul Gauguin
  • Orazio Gentileschi
  • Theodore Gericault
  • Domenico Ghirlandaio
  • Alberto Giacometti
  • Giorgio Giorgione
  • William Glackens
  • Vincent van Gogh
  • Arshile Gorky
  • Adolph Gottlieb
  • Fernand Gottlob
  • Francisco Jose de Goya
  • Juan Gris
  • Matthias Grunewald
  • Constantin Guys
  • Frans Hals
  • H.W. Hansen
  • William Michael Harnett
  • Marsden Hartley
  • Childe Hassam
  • George Hayes
  • Edward Lamson Henry
  • Edward Hicks
  • Nicholas Hilliard
  • Meindert Hobbema
  • Hans Hofmann
  • William Hogarth
  • Sakai Hoitsu
  • Hans (the younger) Holbein
  • Geoffrey Holder
  • Winslow Homer
  • Pieter de Hooch
  • Edward Hopper
  • Emperor Hui-tsung
  • William Holman Hunt
  • Jan van Huysum
  • Robert Indiana
  • Ingres
  • George Inness
  • Pierre Ino
  • Alexej von Jawlensky
  • Jasper Johns
  • Frank Tenney Johnson
  • William H. Johnson
  • Frida Kahlo
  • Wassily Kandinsky
  • Ernst Ludwig Kirchner
  • Moise Kisling
  • Torii Kiyonaga
  • Paul Klee
  • Gustav Klimt
  • Oskar Kokoschka
  • Koryusai Koryusai
  • Walt Kuhn
  • Yasuo Kuniyoshi
  • Kawanabe Kyosai
  • Fitz Hugh Lane
  • Marie Laurencin
  • Jacob Lawrence
  • Sir Thomas Lawrence
  • Hughie Lee-Smith
  • Fernand Leger
  • William Robinson Leigh
  • Judith Leyster
  • Li Tang
  • Roy Lichtenstein
  • Max Liebermann
  • Richard Lindner
  • Fra Fillipo Lippi
  • Claude Lorrain
  • Morris Louis
  • Bernardino Luini
  • Auguste Macke
  • Nicolaes Maes
  • Rene Magritte
  • Aristide Maillol
  • Edouard Manet
  • Franz Marc
  • Marino Marini
  • Albert Marquet
  • Henri-Jean Guillaume Martin
  • Masaccio
  • Henri Matisse
  • Jean-Francois Millet
  • Joan Miro
  • Amedeo Modigliani
  • Piet Mondrian
  • Claude Monet
  • Henry Moore
  • Martha Moore
  • Gustave Moreau
  • Berthe Morisot
  • Ira Moskowitz
  • Robert Motherwell
  • Archibald John Jr Motley
  • Alphonse Marie Mucha
  • Edvard Munch
  • georgia O'Keeffe
  • Pablo Picasso
  • Camille Pissarro
  • Jackson Pollock
  • Nicolas Poussin
  • Robert Rauschenberg
  • Pierre-Joseph Redoute
  • Frederic Remington
  • Pierre-Auguste Renoir
  • Sir Joshua Reynolds
  • Rembrant van Rijin
  • Diego Rivera
  • Dante Gabriel Rossetti
  • Georges Rouault
  • Peter Paul Rubens
  • Raphael (Raffaelo) Sanzio
  • Georges Seurat
  • Alfred Sisley
  • Theophile Alexandre Steinlen
  • Rufino Tamayo
  • Yves Tanguy
  • Giovanni Domenica Tiepolo
  • Jacopo Robusti Tintoretto
  • Henri Toulouse-Lautrec
  • Joseph Mallord William Turner
  • Paolo Ucello
  • Diego Velazquez
  • Johannes Jan Vermeer
  • Leonardo da Vinci
  • Maurice de Vlaminck
  • Edouard Vuillard
  • Jean-Antoine Watteau
  • James Abbott Macneill Whistler
  • Walter Williams
  • Grant Wood
  • Hale Woodruff
  • Richard C Woodville
  • Andrew Wyeth
  • Newell Convers Wyeth
  • Taikan Yokoyama






  •   Alberto  Giacometti 


    Birth Year : 1901
    Death Year : 1966
    Country : Switzerland

    Alberto Giacometti, the Surrealist sculptor known for his nervous, elongated forms, was born in Stampa, Switzerland. Giacometti started drawing at the age of nine, painting at twelve and created his first sculpture at fourteen. His father was a well-known Impressionist painter and Giacometti's first teacher. In 1919, Giacometti began studying sculpture in Geneva and then, for three years, with Bourdelle in Paris. When he began to work on his own, Giacometti found that he had difficulty working from the figure which seemed to disintegrate as he worked. He tried working instead from his imagination and continued to do so for ten years. At this time Cubism, African art and the sculptor, Jacques Lipchitz, influenced his work. His style gradually changed to become first thin and tablet-like and then solid and compact, in structures like "The Couple", and "Spoon Woman". These last were bizarre, amusing monoliths, monumentally concave, combining a powerful physical confrontation with erotic content.

    In 1928 Giacometti felt the need to open his forms, creating grill-like works and then a series of cages-skeletal structures that create three-dimensional environments, equivalent to Surrealist paintings. These culminated in the precise and fantastic "Palace at 4 A.M.", a construction of wood, wire, glass and string. In 1935, Giacometti returned to working from the live model, focusing on the tiny variations of each profile of the body. By sensitively exaggerating or reducing each detail the projections, however tiny, reach out and make the surrounding space visible and part of the work. These tactile elongated sculptures, for which Giacometti is best known, tend to disintegrate at close range. But viewed at some distance they express a universal sense of a living organism. Giacometti's isolated single figures or groups which pass each other without communication convey an anxious search arising from their loneliness, or stand straight and detached like trees in an Alpine forest.

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